Car accident rough storyboard for Vincent en het einde van de wereld
Vincent and the end of the world (2016)
Directed by Christophe Van Rompaey.
Production: A Private View
The film’s trailer:
Storyboards for Toyota ECB idents.
Film director: Bugsy
Production house: Good Egg
Client: England and Wales Cricket Board
Agency: Saatchi & Saatchi
These boards are 100% digital, drawn on the computer using Wacom. Compare with drawings on paper, the old school way.
The story depicts the events surrounding the 1384 Atoleiros battle during the Portuguese Interregnum. We started with an overview of the scenes roughed in a sketchbook. This step ran in parallel with the writing phase of the adaptation. We tested mood boards in colour, mixing sketches, illuminations and voice-over to get a sense of timing. This part of the story is about the 1383-85 Crisis, and focus on the Marriage of King D. Fernando I the Handsome with Queen D. Leonor the Treacherous. It is a story of betrayal and court secrets, that portraits a kingdom at the verge of civil war.
Editing animated drawings with live footage allowed to spend more of the budget on re-enacting the battle.
Drawings are tell key moments about the political and historical context that led to the battle. The film is part of the permanent exhibition, projected on a drawing board in a reconstructed painter workshop.
The Battle of Atoleiros Interpretation Centre hosts the permanent exhibition in Fronteira, Portugal. In photographs by Fernando Guerra.
If you enjoyed this post and like Portugal’s rich medieval history, check more works:
– More production drawings from this project in the drawers blog
Animatics — illustrations series made for audio guides depicting the 1385 Aljubarrota battle for the Battle of Aljubarrota Interpretation Centre, Portugal.
The sequences take the visitor through different phases of the famous Portuguese defensive battle, one of the first of its kind in Europe, exploring the trenching tactic used, troops movements and other historical aspects while interactive features draw on some of the injuries inflicted on soldiers whose remains were later found on the battlefield, studied by archeologists and visible in the interpretation centre.
If you liked this post, check the Aljubarrota battle storyboards.
Since 1999, I draw storyboards and concept illustrations for feature films, advertising commercials, TV shows, animation, events, spectacles historical films and documentaries.
Here you can view some of these different storyboards styles in a single pdf document. If you are looking for a storyboard artist able to work in different styles, check these to see how it might suit your project.
Storyboards can usually be delivered in a rapid turnaround time, either in digital form or hand-drawn on paper, or both.
More illustration and concept art works at alternatyves outc.
Shooting storyboards for a TV commercial directed by Marc R. Wilkins.
Client: M6 Mobile.
These were typically drawn very fast, over the course of two days.
Film location: The first TVC, “Musique” was shot in an apartment and the second film “Réseaux sociaux” at Verschueren Café in Saint-Gilles, both in Brussels.
Welcome to this new site showcasing cinematic pre production works.
Film Storyboards provides production design and visual storytelling services for films, animation and cross media projects. I draw visuals for feature films, animation, advertising, games, live shows, theme parks, music videos, events, theatre and museums.
I like sequential illustration. Storyboarding represents a considerable part of my experience as an illustrator. I started out working as a commercial storyboard artist in Ho Chi Minh City, Vietnam in 1999.
From Saigon, I drew storyboards for Southeast Asia’s fast growing advertising and film scenes for the next two years. Then, moving on, continued working as a freelancer for clients in Europe and globally.
Today, storyboarding amounts to about 1/3 of my practice, alongside illustration and art direction.
Currently based in Brussels, I travel to draw on location or work from my studio. Helping production houses, advertising agencies, animation companies and award-winning directors visualise, present and pitch their projects.
For example, a shooting storyboards can be helpful for a production to estimate the budget for special effects, or help the crew prepare and communicate complex action scenes. But I am also involved in script development, conceptual illustrations and set design.
This site will host my portfolio, colour and black and white storyboards samples along with some notes about the works, preparatory drawings, roughs sketches etc.
In time, it will also provide with storyboard templates, articles and resources about storyboarding. If you are looking for a layout template for a specific film format that you don’t see on that page, you will more likely find it on the templates shop.
This site is an ongoing project, wedding the forgotten art of old school storyboarding with contemporary digital illustration. Watch this space if you love storytelling for film, multimedia and concept art.
For work related matters, you can contact me by emailing to yves//at//film-storyboards.com. But when you are in a hurry, talking is always best. For visual emergencies, please dial +32 475 418 427.
You can also follow @filmstoryboards on Twitter, a feed about sharing storytelling, production design and filmmaking related links. Story artists, film directors and productions are welcome to send news and work updates.
Thank you again for visiting.